Search

Canyon Cinemazine #10: Print Generations 2024-2026 Pre-order a print copy Download PDF (12.6 MB) This issue of the Canyon Cinemazine focuses on Print Generations, Canyon Cinema’s inaugural film commissioning project. Inspired by the 16mm Centenary (1923-2023), and borrowing its title from J.J. Murphy’s astounding structural showpiece, Print Generation (1974), the program supports analog-based filmmaking in the […]

…

Canyon Cinemazine #8: Cine-Espacios Purchase a print copy   Years in the making, the latest bilingual (!) issue of the Canyon Cinemazine compiles cinematic artifacts and ephemera, newly-translated reprints of previously-buried historical texts, and has commissioned a dozen new first-person testimonials about Mexican microcinemas, independent experimental film spaces, cinephilia, and cinema-going. The 200+ page volume concludes […]

…

Canyon Cinemazine #7: Dear Folks: Notes and Letters from Bruce Baillie 2020/2021 Purchase a print copy Download PDF (16 MB) This issue of Canyon Cinemazine is dedicated to Canyon’s founding filmmaker, Bruce Baillie, who died in April 2020 at his home on Camano Island; nearly 60 years after first welcoming friends and neighbors to a night of backyard cinema […]

…

by Tzutzu Matzin    From Canyon Cinemazine #8: Cine-Espacios (2021-23). This interview was conducted on August 24, 2021. The Spanish-language version follows below.   If you find yourself in Mexico City wanting to stage a screening, filmmaker Elena Pardo is the person to talk to. She has the energy and network to connect you with […]

…

  Inspired by the 16mm Centenary (1923-2023), Canyon Cinema is pleased to announce Print Generations, a new commissioning project that will support the production of four new 16mm films by an intergenerational cohort of Bay Area-based filmmakers; two by current Canyon Cinema members and two by non-members. This program is supported by the Owsley Brown […]

…

By Lynne Sachs    My engagement with Canyon Cinema started when I was a young filmmaker living in San Francisco in the mid 1980s. Three decades older and thousands of miles away, I am not a bit surprised that this intertwined relationship between a filmmaker and her beloved distributor continues to this day. Between 2020 […]

…